Only weeks from returning to his wife and daughter back on Earth, Sam begins to get ill, suffer from hallucinations and have strange dreams, beginning to quickly lose control and ultimately places his mission in jeopardy. The facility itself becomes another character, as Sam patrols the labyrinth of tunnels alone. While the rooms are very well lit and quite spacious, they always give the illusion that something is hidden, and Jones creates a creepy atmosphere within the base.
During a routine check on the harvester to extract collected deposits of Helium-3, Sam is distracted when he believes he sees a figure standing on the surface of the Moon and crashes the vehicle, losing consciousness and turning to a life-support system. These sequences where Sam ventures out onto the surface of the Moon are visually stunning - almost dream-like.
The visual effects in this film are used cleverly and are never over-the-top, as the harvester cultivates the soil and sends it flying out into space, and we see the huge mechanisms at work. Jones has transformed the Moon into a spectacle of incredible beauty. Following this crash, which we believe will surely result in Sam's death, the film becomes very interesting indeed. Revealing too much more will surely ruin the experience.
One of the great features of Moon is the claustrophobic, contained nature of its setting. There are no aliens or guns, just a man facing the reality of his existence, violently struggling both physically with his injuries and with his declining sanity. It lacks the massive scope of the big action blockbusters that offer brain numbing special effects and few characters to care for. Drawing influence from 2001: A Space Odyssey (1968) and Solaris (1972), Moon is a character-driven drama that deals with some pretty interesting scientific possibilities.
My Rating: 4 Stars
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