The
Place Beyond the Pines is about a directionless man trying
his best to take responsibility, and the lengths he is willing to go to honour
his role as a father. It is about another man who, blessed with privilege and
intelligence, selfishly and selflessly channels a conflict of emotions to
change the avenue of his own life. The repercussions of an altercation, and the
decisions he makes in its wake, will never rest. Finally, it is about a lonely
and confused young man as he seeks to find out who he is and understand the origins
of the path that seems to have been set for him.
It is a beautifully intimate film at
times and unnervingly tense in others, and even if it stretches the
believability a little thin in the slightly weaker (though essential) final
act, it remains a fascinating and unpredictable journey.
Ryan Gosling stars as Luke Glanton, a loner motorcycle stunt driver who works in a dangerous cage act for a travelling circus. While in Schenectady, New York he learns from an attractive woman named Ramona (Eva Mendes) that he has an infant son following an affair a year earlier. But, to foil Luke’s plans of being involved in his son’s life she reveals she has a man in her life, a loyal and supportive guardian to young Josh.
Ryan Gosling stars as Luke Glanton, a loner motorcycle stunt driver who works in a dangerous cage act for a travelling circus. While in Schenectady, New York he learns from an attractive woman named Ramona (Eva Mendes) that he has an infant son following an affair a year earlier. But, to foil Luke’s plans of being involved in his son’s life she reveals she has a man in her life, a loyal and supportive guardian to young Josh.
Luke discovers
a purpose to his unrewarding life, providing for his son. This he does by the
only means possible - supplying cash. He begins working for a mechanic (Ben
Mendelsohn), but for an extra rush and some fast dollars, Luke decides to ally
with him to rob local banks. Luke's story and his disparate relationship with
his son serves as the grounding for the rest of the film, which follows a righteous
rookie police officer, Avery Cross (Bradley Cooper), trying to survive in a
tainted precinct, and a pair of misguided teenagers (Dane DeHaan and Emery
Cohen) who strike up a volatile friendship.
Sean
Bobbitt, whose extraordinary work on Steve McQueen’s Hunger and Shame brought
his skills to the knowledge of cinemagoers, helms the DP duties and his work is
exemplary. The flaws in the character's features are not hidden, the exquisite
hand-held work is always under control and the sun-drenched woods glisten and
appear otherworldly. There some stunning long takes, including a brilliant
opening shot and an extended chase sequence from inside of the police vehicle
that puts the viewers behind the wheel. Former
Faith No More front man Mike Patton provides a powerful score.
Gosling, who
was absent from screens in 2012, returns in form as a degenerate who drifts
through life clinging to a limited skill set. Luke, who has bleached blonde hair, sports
arm-spanning tattoos and wears dilapidated metal band t-shirts, is a man of few
words. But his disappointment in himself and
his desperation to be remembered for the right reasons resonate. As strong as Luke’s story is, the two that follow are
just as powerful. We begin to see mirrored experiences and unexpected
connections between the characters. While Cianfrance weaves tales of desperate
crime, professional anxiety and teenage angst, he never loses sight of the
complexities of his characters and the bigger ideas. There is a moment where the stories between two of the
characters converge that is one of the deftest touches I have seen in a film in
a long time.
Both Hollywood hot shots,
Gosling and Cooper, are terrific, but the supporting stars; Dehaan (one of the
finest young actors in the business at the moment, as evident in Chronicle and his eye catching
supporting work in the otherwise ordinary Lawless),
Mendes (devastatingly heartbroken), Mendolsohn (playing another slimy
criminal, yes, but one with genuine compassion and feeling) and Ray Liotta
(unwaveringly shady) are also on their game. Emory Cohen was perhaps the
weakest casting, for me. His character, an aggressive teenager who believes he
deserves to empower others, just felt like it was overdone a little.
This epic and
ambitious storytelling provokes audiences by continuing to evolve a large-scale
narrative while incorporating relatable anxieties, emotional conflicts and acts
of fate. The tension is palpable, standout sequences linger and the acting is
of a high quality. Mark it up as two for two for one of the most promising
filmmakers in the industry in Derek Cianfrance.
My Rating: ★★★★1/2
So glad you liked this one - it worked for me on every level. Cohen's performance seems to be getting a lot of flak, and I get that. I actually thought he did a superb job playing a lost, falsely macho teenager. If you listen to his voice when Bradley Cooper approaches him in the interrogation room, Cohen's ridiculous "thug" accent is gone. I thought that was a very telling moment. His whole tough persona is a scam.
ReplyDeleteI knew quite a few teenagers like that.