Continue reading at Graffiti With Punctuation.
A domain of film news and reviews, covering new releases, film festivals and classics alike, edited by Andy Buckle, a Sydney film enthusiast and reviewer.
Thursday, June 6, 2013
SFF Review: Blackfish (Gabriela Cowperthwaite, 2013)
During our lifetimes many of us will visit a marine park and marvel
in awe at the common main attraction – the seemingly harmonious
interaction between 8,000-pound plus orcas or “killer whales” and their
human trainers. Blackfish, directed brilliantly by
Gabriela Cowperthwaite, is a captivating and harrowing documentary
investigation into the fascinating nature of the orca – their supreme
intelligence and development of different languages, their open water
gracefulness and clinical hunting abilities – and the cruel mistreatment
of those kept in captivity and trained for human amusement. Also
examined are the indecencies of the marine park industry and the decades
of incidents, manipulated to hide the truth and keep the business
afloat. We see the devastating consequences of human exploitation and
greed, with nature the executor of revenge.
Concisely structured, thoroughly researched and powerfully argued, Blackfish plays
out like a thriller, with an especially troubled soul at the core. We
broadly track different branches of the industry – orca hunting and
transportation, corporate emphasis on profits over the wellbeing of the
animals and safety of the trainers, and the
enthusiasm-come-disillusionment of park employees – through the
decade-spanning life Sea World Orlando’s largest male, Tilikum.
Eventually deemed responsible for the tragic death of experienced
trainer Dawn Brancheau in 2010, Tilikum’s life has been a rough one.
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