In
cinemas this week: Killing Them Softly,
Lawless, Shadow Dancer, The Words and Wuthering
Heights.
Killing Them Softly - Two hapless criminals in search of a quick buck, Frankie (Scott McNairy, Monsters) and Russell (Ben Mendelsohn, Animal Kingdom), are brought in by Johnny Amato (Vincent Curatola, The Sopranos), an in-and-out of prison wannabe big shot, who has hatched a plan to rob a mob protected poker game. Markie Trattman (Ray Liotta, Narc), in charge of the games, has ripped off them off before and Amato figures the criminal world will assume it's him. Following the robbery, which cripples the local criminal economy, just like the Wall Street CEOs cripple the nation's, a street-smart enforcer named Jackie Cogan (Brad Pitt, Moneyball) is hired to investigate the heist and eliminate those responsible.
Lawless is the true story of the infamous Bondurant Brothers:
bootlegging siblings who made a run for the American Dream in Prohibition-era
Virginia. In this epic gangster tale, inspired by true-life tales of author
Matt Bondurant's family in his novel "The Wettest County in the
World", the loyalty of three brothers is put to the test against the
backdrop of the nation's most notorious crime wave.
The Words - Starring
Bradley Cooper, Jeremy Irons, Dennis Quaid, Olivia Wilde and Zoë Saldana, the
layered romantic drama The Words follows young writer Rory Jansen who finally
achieves long sought after literary success after publishing the next great
American novel. There's only one catch - he didn't write it. As the past comes
back to haunt him and his literary star continues to rise, Jansen is forced to
confront the steep price that must be paid for stealing another man's work, and
for placing ambition and success above life's most fundamental three words.
Shadow Dancer - During
an aborted bomb attempt in London, Collette falls into the hands of an MI5
officer, Mac, who offers her a deal: turn informant or go to prison. Fearing
for her son's welfare, she returns to Belfast where betraying family and
beliefs she becomes a reluctant mole for British intelligence. As suspicion of
Collette mounts and Mac takes increasing risks to protect her, both feel the
net closing in.
Wuthering Heights - Andrea Arnold's Wuthering
Heights is a fresh and distinct take on the classic novel by Emily Brontë.
An epic love story that spans childhood well into the young adult years, the
film follows Heathcliff, a boy taken in by a benevolent Yorkshire farmer,
Earnshaw. Living in Earnshaw's home, Heathcliff develops a passionate
relationship with the farmer's teenage daughter, Catherine, inspiring the envy
and mistrust of his son, Hindley. When Earnshaw passes away, the now-grown
characters must finally confront the intense feelings and rivalries that have
built up throughout their years together.
Weekly Recommendation: Killing Them Softly is the best in this week's diverse and divisive
line-up. I have strong feelings of dislike for Wuthering Heights, and Lawless
was very disappointing. Review up in the morning. Shadow Dancer is soid, but it has a very limited release. Killing Them Softly is a stylish
gun-toting crime noir with great performances, sharp dialogue, bloody violence,
and a relevant political and economic subtext. An outstanding follow-up to
2007's The Assassination of Jesse James from
director Andrew Dominik.
Oh I just can't wait for Killing them Softly. I'll probably catch Lawless on DVD, though, mostly to see Guy Pearce's performance.
ReplyDeleteI think its one for DVD, but I really didn't like Pearce or his character. Cartoonish caricature. A real shame.
DeleteKilling them Softly looks great, although you never know with these sorts of films (common genre?)
ReplyDeleteWuthering Heights... I've still yet to see an interpretation of it which doesn't fall flat.
I can't recall ever seeing an adaptation of Wuthering Heights before this one, but I have read the novel. It was a struggle to finish, but not as much as this film. Some remarkable photography, but it is barely watchable. Aggravated me mere minutes in. As for KILLING THEM SOFTLY, well its not at all like you'd expect. It is dialogue & character driven with a political subtext - and relies on brief splashes of stylish violence.
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