While Super Bad is as crude and vulgar as teen comedies come, there is also a surprisingly heartfelt sensitivity to the story and the film never loses sight (if it does become distracted at times) that it is a film about youth, co-dependent friendship, coming-of-age fears and the desperations that accompany the desire to conform and fit in. Oh yeah, it is also very funny.
It opens on the morning of a regular school day with Seth (Jonah Hill) picking up his long-time best friend Evan (Michael Cera) and driving him to school. It soon becomes evident that Evan is a bright, warm-hearted kid with crippling nerves, low self-esteem and an affinity to worry about everything, while Seth is a loud, crass, hormone-driven mischief-maker who thinks he is tougher than he is and who has frequently held Evan back from reaching his potential. But, they have been inseparable since they were eight. It is just two weeks before their high school graduation and both are experiencing anxiety about heading off to different colleges, Evan to Dartmouth and Seth to a state college, with fears of fitting in without the aid of one another. When their mutual friend Fogell (Christopher Mintz-Plasse) reveals his plans to acquire a fake ID, Seth sees it as a way to get the pair off the geek list and end the losing streak with their longtime crushes, the centre of their ailing self-esteems.
What I really liked about this film is that it takes place entirely during a 24-hour period, with the events becoming excessively more ridiculous. But never do we question the decisions of the kids. They are so well constructed in the early sequences that every action they take feels genuinely realistic. The script, while taking a lengthy, roundabout route, does tie all it's strands together quite well. The dialogue is unashamedly dirty. I mean, these guys know nothing about sex, other than what they have heard (or watched), so sophistication on the subject just wouldn't exist. But the dialogue is sharp, and it is delivered with such confidence by a truly astounding Jonah Hill, and with such reservation by the similarly excellent Michael Cera (at his awkward best). The film, boldly, goes to some extreme places too.
The crassness does not exist to cause a stir, though it likely did at the time. It is what the dirty words represent for these kids that is important here. They each have a deep yearning not only for their continued friendship, which we can assume will endure through their college lives, but also to experience the pleasures of youth that have so far eluded them. Faced with a confusing crossroads in their life, the adolescent frustrations of the boys begin to emerge, and their actions become increasingly desperate over the course of their tumultuous evening.
As I mentioned before, this is a highlight in both the careers of Cera and Hill, while Christopher Mintz-Plasse (who was cast for the role after auditioning out of high school) has never matched this performance either. His most notable one was an underwhelming performance in Kick Ass. He may be remembered solely for McLovin, but what a hilarious portrayal it was. Though it covers a subject similar to National Lampoons: Animal House and American Pie, Superbad is unique in it's own way. If you dismissed it back in 2007, where it was one of the year's funniest films, I urge you to give it another go.
I do like this film. I still do. It's very funny and just raunchy. I loved the soundtrack and a lot of the shenanigans that goes on. McLovin' is my favorite character in that movie.
ReplyDeleteIt is quite hilarious. For me, nearly every moment with Hill and Cera was gold...
ReplyDeleteI love Superbad! I'm probably the only girl in my group of friends who does actually. I loved McLovin too- he might not have been as good an actor as the other two, but he's sort of iconic. Cera is actually one of my favourite leading actors...I have never really not liked a Michael Cera movie. I am growing warmer towards Jonah Hill now, but he's such an ass in this.
ReplyDeleteGreat fun this film...very gross, but seriously who gives?
Yeah, I remember it being really disgusting, and really dumb. What I was surprised by this time was how smart it actually was, and how it never lost sight of what it was trying to address. The cops are a bit silly, but, yeah McLovin has become iconic ever since. I really enjoyed it. Thanks for the comment, Nikhat.
ReplyDeleteThis one had me laughing non-stop through almost every line of dialogue. It's also one of the rare films that you laugh so much you actually miss some great lines underneath all the laughter. Good Review Andy!
ReplyDeleteThere are plenty of laughs. Especially the 'jean stain' scene. Wow!
ReplyDeleteFar more poignant than one may think.
ReplyDeleteI see the possibility of this film becoming the Say Anything of the 2000s.
Yeah totally. It never loses sight that it is a film about friendships, adolescent insecurities, and an important transition in the lives of teenagers (written by Rogen and Goldberg when they were at the same age) who are on a quest to conform, fit in and experience life, and the desperations that emerge naturally during that quest. Apart from the cops, who become a bit tiresome - this is comedy gold from start to finish. Also, Jonah Hill is sensational.
ReplyDeleteOne of my favourite films ever, 1/10 that I've given an A+ ranking! Love it!
ReplyDeleteI absolutely love it! By the way, check out my blog, I just interviewed the director of the film.. posted it today!
ReplyDeleteI did notice the interview when I stopped by earlier, but I didn't have time to read it. Will definitely stop by and check it out. Glad you dig the film. I think it is better than a lot of people give it credit for.
Delete