BEST PICTURE
American Hustle
Captain Phillips
Dallas Buyers Club
Gravity
Her
Nebraska
Philomena
12 Years a Slave
The Wolf of Wall Street
Will Win: Gravity
Could Win: 12 Years A
Slave, American Hustle
Should Win: Gravity
American
Hustle, for many prognosticators, became the Best Picture favourite
after it won Best Ensemble Cast at the SAG Awards. I genuinely feel like Hustle deserved this award, but the snub for 12 Years A
Slave at that point was a telling one. At the
Golden Globes 12 Years A Slave came from nowhere
(literally winning nothing else) to nab Best Picture (Drama). It also won the
BAFTA for Best Film (curiously winning just one other award – Best Actor). Gravity is going to win more Oscars than 12 Years A
Slave, and I’m convinced that Gravity has a lot of support. The tie at the Producer’s Guild of America
(between 12
Years and Gravity) is proof of this. I have been backing Gravity from the beginning – none of this Best Pic/Director split business – and
have stuck with it ever since I first watched (and was disappointed by) 12 Years A
Slave.
From the rest of the group Hustle (with ten nominations) has a genuine chance. AMPAS
have loved Russell’s previous three films (but he should have won last year
with the vastly superior Silver Linings Playbook). Nebraska (six, including Best Director/Actor/Original
Screenplay), The Wolf of Wall Street (five, including Best
Director/Actor/Adapted Screenplay) and Captain Phillips (a genuine chance for Best Supporting Actor, Adapted Screenplay and
Editing) are not without a show. Personally, I rank all three ahead of both 12 Years A
Slave and American Hustle.
But this has come down to 12 Years A Slave and Gravity. Whether the AMPAS honours a film that tackles
the harrowing truths about America’s past, or a film that has expertly utilized
the best of present technology, and laid a platform for future achievements, remains
to be seen. 90% of Oscar prognosticators are going with 12 Years A
Slave. No cinematic experience came close to Gravity in 2013. I hope voters saw the film in the theatre and not their
televisions (or heaven forbid, their laptops).
Continue reading at Graffiti With Punctuation.
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