Monday, December 10, 2012

New Releases (13/12/12)

Hitting cinemas on the 13th December are some similarly themed films. Several light, breezy romantic comedies with a touch of drama that achieve varying degrees of success. Liberal Arts hit a spot with me. Love Is All You Need didn't.


Rise of the Guardians - an epic adventure that tells the story of a group of heroes - each with extraordinary abilities. When an evil spirit known as Pitch lays down the gauntlet to take over the world, the immortal Guardians must join forces for the first time to protect the hopes, beliefs and imagination of children all over the world.

Liberal Arts - Newly single and uninspired by his job in college admissions, the introverted Jesse Fisher (Josh Radnor) lives with his head buried in a book. His deep nostalgia for his own alma mater in Ohio - the dining halls and dorm rooms, the parties and poetry seminars - makes him wonder if his best days are behind him. So when his favorite professor (Richard Jenkins) invites him back to campus to speak at his retirement dinner, Jesse jumps at the chance. Meeting Zibby (Elizabeth Olsen) - a precocious classical music-loving sophomore - awakens in Jesse long-dormant feelings of possibility and connection.
 
Love Is All You Need - Ida (Trine Dyrholm, In A Better World), a hairdresser living in Copenhagen, has just completed a treatment of chemotherapy for diagnosed breast cancer. In the days prior to her flight to Sorrento for the wedding of her daughter Astrid (Molly Blixt Egelind) to Patrick (Sebastian Jessen), Ida learns that her tactless husband Lief (Kim Bodnia) is having an affair with a young accountant from his office – and soon intends to leave Ida and remarry – which results in further humiliation. While at the airport she embarrassingly backs into a terse, uptight and self-centered businessman (Pierce Brosnan, The Ghost Writer), who is understandably less than impressed. Coincidentally, this is Patrick’s widowed father Phillip, also on his way to Italy. What follows is a kitchen-sink drama that tracks awkward revelations about both dysfunctional families, suffering from an array of personal conflicts and repressed emotions. But, amidst it all, both Ida and Phillip find an unexpected second chance at love.

Paris-Manhattan - The eternal wisdom of Woody Allen informs PARIS-MANHATTAN, debut writer/director Sophie Lellouche’s delicious and charming romantic comedy about a young woman whose choices in life and love are shaped by the philosophies of her favourite filmmaker.
Idealistic pharmacist Alice (the adorable Alice Taglioni) is totally obsessed with the works of Mr. Allen. She surrounds herself with images of him, continually quotes lines from his films and even prescribes her customers DVDs of his movies to help alleviate their ailments; it’s little wonder she’s still single in her thirties! Alice’s increasingly concerned Jewish parents hope to cure her fixation by setting her up with a handsome French gentleman (Patrick Bruel), but even he quickly realises that he’s no match for the man of her dreams.

I also want to mention the limited December 20 release of FROM UP ON POPPY HILL, the wonderful new animated film from Studio Ghibli. Screening exclusively at Dendy Newtown (I think) here in Sydney, where it appeared as part of the Real Anime Festival earlier in the year, it is one you can't miss.

From Up On Poppy Hill is beautiful story with a charming teenage romance at the core, and much like some of the most poignant of Ghibli's features, offers up inoffensive small-scale drama and genuine stakes without the presence of an obvious villain. It relies on generating context and attentive world building, and after introducing us to characters we grow to care about, it becomes an immersive cinematic experience that successfully leaves a viewer in a state of pure joy. It is touching, funny, emotionally rich and thematically engaging. There were a handful of moments - whether they are conversations, surprising plot developments, or simply a reaction from a character - that brought swelling emotions of both sadness and joy.

 Weekly Recommendation: Between now and Boxing Day, the BIG day, there isn't a lot happening. Having said that, we can't be sure at this point whether the Boxing Day films are going to deliver either. But, I can recommend 'From Up On Poppy Hill' and 'Liberal Arts'. I have heard mixed things about 'Rise of the Guardians', but it could be family fun.

Sunday, December 9, 2012

Upcoming Release Review: Sightseers (Ben Wheatley, 2012)

Sightseers is a twisted British road movie that defies genre classification with erratic tonal changes. It is a genuinely hilarious black comedy at times, but then it takes unsavoury turns into psychotic serial killer thriller territory. Often the blend of situation-humour mixed with the duo’s sickening actions rubbed me the wrong way and my initial reaction was a state of confusion. It has taken some processing to arrive at a concrete opinion. It is a fatiguing adventure, one that takes surprising twists and turns that are just as inconsistent as the character’s motivations and attitudes.


Caravanning couple Tina (Alice Lowe), an ordinary sheltered suburbanite, and Chris (Steve Oram), a ginger bearded adventurer and wannabe writer, go on a trip to see the Northern England she’s been missing. When Tina gets an insight into Chris’ anger the holiday turns from picturesque to grotesque.

Continue reading at Graffiti With Punctuation. 

Thursday, December 6, 2012

2nd Annual AACTA Nominations/Interviews

This afternoon the Australian Academy of Cinema and Television Arts (AACTA) announced the nominees across forty film and television categories for the 2nd AACTA Awards.


It was also announced that the Awards Luncheon would be taking place on Monday 28 January 2013 with the Ceremony and After Party taking place a few days later on the 30th.

Following a new major partnership announced yesterday, which sees The Star join AACTA as Destination Partner, both events will be held at the new Star Event Centre, a celebration of the new partnership and the public introduction for the venue.

Highlighting the reach and diversity of nominees, the nominations are spread across 13 feature films, 16 documentaries, four short animations, four short fiction films and 32 television productions.

To see which films led the nominees, continue reading at Graffiti With Punctuation. For GWP interviews with Luke Carroll, Jimi Bani and Susan Boyle in the wake of their nominations click HERE. 

Wednesday, December 5, 2012

Upcoming Release Review: Love Is All You Need (Susanne Bier, 2012)

Danish director Susanne Bier (In A Better World, winner of Best Foreign Language Film at the 2010 Academy Awards, and After the Wedding) teams up again with her regular screenwriting collaborator, Anders Thomas Jensen, for Love Is All You Need, a sunny and syrupy Italian-set romantic drama.


Ida (Trine Dyrholm, In A Better World), a hairdresser living in Copenhagen, has just completed a treatment of chemotherapy for diagnosed breast cancer. In the days prior to her flight to Sorrento for the wedding of her daughter Astrid (Molly Blixt Egelind) to Patrick (Sebastian Jessen), Ida learns that her tactless husband Lief (Kim Bodnia) is having an affair with a young accountant from his office – and soon intends to leave Ida and remarry – which results in further humiliation.

While at the airport she embarrassingly backs into a terse, uptight and self-centered businessman (Pierce Brosnan, The Ghost Writer), who is understandably less than impressed. Coincidentally, this is Patrick’s widowed father Phillip, also on his way to Italy. What follows is a kitchen-sink drama that tracks awkward revelations about both dysfunctional families, suffering from an array of personal conflicts and repressed emotions. But, amidst it all, both Ida and Phillip find an unexpected second chance at love.

Continue reading at Graffiti With Punctuation.

Tuesday, December 4, 2012

Upcoming Release Review: Wreck-It Ralph (Rich Moore, 2012)

Wreck-It Ralph is scheduled for an Australian cinema release Boxing Day.

Imagine if there was an intricate world inside of the arcade games you loved to play when you were a kid? What if those little 2D characters had a life of their own? Wreck-It Ralph (voiced by John C. Reilly), the antagonist of Fix-It Felix, Jr, is tired of being shunned by the other characters in his game (whereas the hero, voiced by Jack McBrayer, is celebrated and rewarded). Despite his day job, he’s not a ‘bad guy’, and after growing tired of being ignored, decides to leave his game to prove that he can earn a medal in the hope of being accepted.


Wreck-It Ralph has some lovely visuals. It is rich in detail, and the movements of the characters (tics, glitches and all) replicate their peculiar in-game actions. The attempts to evoke nostalgia are reliant on fleeting references (a brief appearance from Bowser for example) and none of the worlds remained interesting for very long. Ralph isn’t even all that likeable. With Ralph out of Fix-It Felix Jr, the game from the perspective of the outside world is deemed to be broken. This will eventually lead to the unplugging of the console and the characters losing their homes. This is never a concern for Ralph, so preoccupied with his own mission that he doesn’t even consider the repercussions of his defection. Unfortunately Wreck-It Ralph lacks the heart of the Toy Story series, and is neither as funny nor as poignant.
Continue Reading at Graffiti With Punctuation.

New Releases (06/12/12)

I'll be brief. In cinemas this week:


Pitch Perfect: Beca (Anna Kendrick) is that girl who'd rather listen to what's coming out of her headphones than what's coming out of you. Arriving at her new college, she finds herself not right for any clique but somehow is muscled into one that she never would have picked on her own: alongside mean girls, sweet girls and weird girls whose only thing in common is how good they sound when they sing together, in the new out-loud comedy Pitch Perfect. When Beca takes this acoustic singing group out of their world of traditional arrangements and perfect harmonies into all-new mash-ups, they fight to climb their way to the top of the cutthroat world of college a cappella.

The Man With the Iron Fists: Making his debut as a big-screen director and leading man, RZA-alongside a stellar international cast led by Russell Crowe and Lucy Liu-tells the epic story of warriors, assassins and a lone outsider hero in nineteenth-century China who must unite to destroy the clan traitor who would destroy them all. Since his arrival in China's Jungle Village, the town's blacksmith (RZA) has been forced by radical tribal factions to create elaborate tools of destruction. When the clans' brewing war boils over, the stranger channels an ancient energy to transform himself into a human weapon. As he fights alongside iconic heroes and against soulless villains, one man must harness this power to become savior of his adopted people.

Trouble With the Curve: Gus Lobel (Clint Eastwood) has been one of the best scouts in baseball for decades, but, despite his efforts to hide it, age is starting to catch up with him. Nevertheless, Gus-who can tell a pitch just by the crack of the bat-refuses to be benched for what may be the final innings of his career. He may not have a choice. The front office of the Atlanta Braves is starting to question his judgment, especially with the country's hottest batting phenom on deck for the draft. The one person who might be able to help is also the one person Gus would never ask: his daughter, Mickey (Amy Adams), an associate at a high-powered Atlanta law firm whose drive and ambition has put her on the fast track to becoming partner. Against her better judgment, and over Gus's objections, Mickey joins him on his latest scouting trip to North Carolina, jeopardizing her own career to save his. 

Here Comes The Boom: In the comedy Here Comes the Boom, former collegiate wrestler Scott Voss (Kevin James) is a 42-year-old apathetic biology teacher in a failing high school. When cutbacks threaten to cancel the music program and lay off its teacher (Henry Winkler,) Scott begins to raise money by moonlighting as a mixed martial arts fighter. Everyone thinks Scott is crazy - most of all the school nurse, Bella (Salma Hayek) - but in his quest, Scott gains something he never expected as he becomes a sensation that rallies the entire school.

Weekly Recommendation: several of the writers at Graffiti With Punctuation have seen both 'Trouble With the Curve' and 'Man With the Iron Fists' and were less than impressed. 'Here Comes The Boom' sounds exactly like the plot of Joel Edgerton's character in 'Warrior'. I don't think so. The only film I have seen from here is 'Pitch Perfect'. It is the best reviewed film this week and I enjoyed it.

15 Documentary Features Advance In Oscar Race


The Academy of Motion Picture Arts and Sciences today announced that 15 films (of the 126 pictures originally qualified) in the Documentary Feature category will advance in the voting process for the 85th Academy Awards.

The 15 films are listed below in alphabetical order by title:

Ai Weiwei: Never Sorry
Bully
Chasing Ice
Detropia
Ethel
5 Broken Cameras
The Gatekeepers
The House I Live In    
How to Survive a Plague    
The Imposter
The Invisible War
Mea Maxima Culpa: Silence in the House of God    
Searching for Sugar Man
This Is Not a Film
The Waiting Room

The 85th Academy Awards nominations will be announced live on Thursday, January 10, 2013, in the Academy's Samuel Goldwyn Theater. 

What are your thoughts on this shortlist of documentaries? It is great to see 'The Imposter' and 'Searching For Sugar Man', two of my favourite films of the year, progressing. They have a great shot at being nominated but based on the critical reception I expect 'Ai Weiwei: Never Sorry', 'Chasing Ice', '5 Broken Cameras', 'How To Survive A Plague', 'The Invisible War' and 'This is Not A Film' to also compete for the five slots.

Friday, November 30, 2012

Monthly Round-up: November Viewing

 So ends another month. With a solid two months of work ahead, Sam and I took a couple of mini breaks in November - a visit to our friends in Canberra where we caught a few films at the Canberra International Film Festival and a weekend away in the Blue Mountains. It was a pretty good month for screenings actually. No new 5 star films - but plenty of memorable ones all the same. The only obvious blips on this month were the awful final installment of the Twilight Saga and Woody Allen's To Rome With Love. The December schedule is full of screenings for the early Summer season, so they look like they will be occupying a lot of my time.

Last year I was inspired to participate in the 'Blind Spot Series' courtesy of Ryan McNeil at The Matinee. Though I started strong, I only ended up seeing four films from the twelve I listed, and from those four, have only written about three. They (Night of the Hunter, Au Hasard Balthazar, Once Upon A Time in the West and Paris, Texas) were all fantastic.

Here are the rules: Cull together a list of “Blind Spot” films…movies that we as movie enthusiasts likely should have seen by now, but haven’t for one reason or another. After narrowing the list down to a truly manageable twelve titles, the goal would be to watch all twelve over the course of the next year, and to write one’s thoughts afterwards.

My 2013 selections:


Sunrise (F.W Murnau, 1927)
A Matter of Life and Death (Michael Powell and Emeric Pressburger, 1946)
The Treasure of Sierra Madre (John Huston, 1948) 
Ikiru (Akira Kurosawa, 1952) 
Tokyo Story (Yasujiro Ozu, 1953)
On the Waterfront (Elia Kazan, 1954)
Ordet (Carl Theodor Dreyer, 1955)
The Sweet Smell of Success (Alexander Mackendrick, 1957)
Lawrence of Arabia (David Lean, 1962)
The Discreet Charm of the Bourgeoisie (Luis Bunuel, 1972)
Fanny And Alexander (Ingmar Bergman, 1982)
Satantango (Bela Tarr, 1994)

I intend to do it this time.

I watched a total of 33 films in November, also making a start on some 2012 revision in preparation for my EOY lists. There are in the vicinity of ten films I want to re-watch in December just to clarify my thoughts on them.

New-To-Me-Films (By Order of Preference)

----------Essential Viewing---------- 


Solaris (Andrei Tarkovsky, 1972)

Possession (Andrzej Zulawski, 1981)


The Perks of Being A Wallflower (Stephen Chbosky, 2012)

Blood of the Beasts (Georges Franju, 1949)


Sorcerer (William Friedkin, 1977)

Smashed (James Ponsoldt, 2012)


Celeste and Jesse Forever (Lee Toland Krieger, 2012)

Like Someone In Love (Abbas Kiarostami, 2012)


Robot and Frank (Jake Schreier, 2012)

Rust and Bone (Jacques Audiard, 2012)


Skyfall (Sam Mendes, 2012)

The Sessions (Ben Lewin, 2012)



Cloudy With A Chance of Meatballs (Phil Lord, Chris Miller, 2009)

All The Way Through Evening (Rohan Spong, 2012)

Brick (Rian Johnson, 2005)

----------Essential Viewing----------